金属之声

电影20202sa 1dkstar7.7(2,902)trending_up7
剧情音乐
导演:Darius Marder

在本片这个关于声音、愤怒与自我发现的故事中,里兹·阿迈德以全情投入的表演,诠释了情绪不稳定的鼓手鲁本。他与主唱女友露组成噪音金属二人组,在炽热的现场演出中找到了新的人生目标。当鲁本突然丧失大部分听力后,他被迫踏上了一场深刻的奥德赛之旅——经历否认、愤怒、悲伤,并逐渐学会接受——他开始理解身为聋人的意义,并认识到失聪并非一种残疾,而是一个丰富的文化与社群。导演达里尔斯·马德通过令人身临其境、荣获奥斯卡奖的音效设计,邀请我们以鲁本的视角体验世界,捕捉了一个沉默蕴含千种色调的声音频谱。[标准收藏]

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详情

原标题Sound of Metal
状态Released
上映日期2020年11月20日
发布日期
澳大利亚:
影院 - 2021年4月8日 (M)
数字 - 2020年12月4日 (M)
实体 - 2021年5月24日 (M)
巴西:
数字 - 2020年12月4日 (14)
加拿大:
首映 - 2019年9月6日
数字 - 2020年12月4日
数字 - 2021年4月13日 (G)
瑞士:
首映 - 2019年9月27日
德国:
数字 - 2020年12月4日 (12)
时长2sa 1dk
0
票房$516,520
0
制作国家美国
原始语言英语
语言English, Français

制作公司

SWITCH.10/10

'Sound of Metal' is a unique cinematic experience that has consumed my every thought in the days since my viewing, and should be on the radars of anyone wanting to catch one of the best films this year. If you're lucky enough to get the opportunity to see it on a big screen, take it as soon as you can. Movies like this do not come around very often. - Ashley Teresa Read Ashley's full article..…

Manuel São Bento9/10

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com With moderately high expectations, Sound of Metal genuinely surprised me. Darius Marder and Abraham Marder's exquisite screenplay is the absolute standout, at the same insanely good level as Riz Ahmed's impressive performance. The former holds a meaningful, enlightening story about not only the dea…

r96sk9/10

Highly recommend! Riz Ahmed gives an incredible performance as Ruben, not only did he make me care immensely for the character but he also makes Ruben feel like a real person. You can tell he put a tonne of effort into this and it really does show. Away from Ahmed, Olivia Cooke (Lou) and Paul Raci (Joe) are also very good performers, while it's nice to see Lauren Ridloff (Diane) involved - s…

badelf10/10

**Sound of Metal: The Art of Letting Go** From its opening moments, "Sound of Metal" places us inside Ruben's disintegrating auditory world with such visceral precision that we become unwitting participants in his trauma. Director Darius Marder's sound design isn't merely technical brilliance. It becomes emotional architecture that collapses the distance between viewer and subject. We don't jus…

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