Харгӯши сиёҳ, харгӯши сафед

I’m all in for inventiveness in filmmaking, especially in days like these, where it seems that endless sequels, reboots and franchise offerings have come to dominate the domestic movie industry. However, at the same time, that laudable sense of innovation needs to work, too, and, in the case of this latest feature from writer-director Shahram Mokri, that’s true but only to a certain extent. In wha…