Tu ne mentiras point

Film20241sa 38dkstar6.7(578)trending_up4
Drame
Réalisateur:Tim Mielants

Irlande, 1985. Modeste entrepreneur dans la vente de charbon, Bill Furlong tache de maintenir à flot son entreprise, et de subvenir aux besoins de sa famille. Un jour, lors d'une livraison au couvent de la ville, il fait une découverte qui le bouleverse. Ce secret longtemps dissimulé va le confronter à son passé et au silence complice d'une communauté vivant dans la peur.

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Détails

Titre originalSmall Things Like These
StatutReleased
Date de sortie1 novembre 2024
Dates de sortie
Argentine:
Cinéma - 6 mars 2025 (+13)
Samoa américaines:
Numérique - 16 déc. 2024
Australie:
Cinéma - 10 avr. 2025 (M)
Belgique:
Première - 9 oct. 2024
Cinéma - 20 nov. 2024 (12)
Brésil:
Première - 17 oct. 2024
Cinéma - 13 mars 2025 (12)
Numérique - 22 mai 2025 (12)
Durée1sa 38dk
Budget$3,000,000
Recettes$12,534,032
Bénéfice$9,534,032
Pays d'origineIrlande
Langue originaleanglais
Langues parléesEnglish

Sociétés de production

Artists EquityBig Things FilmsWilder ContentFís Éireann/Screen Ireland

Avis des utilisateurs

Voir tout sur TMDB
r96sk8/10

'Small Things Like These' is absorbing. I basically got exactly what I expected from this one. It's a slow burn, quiet film featuring a stellar, if somewhat understated, Cillian Murphy performance. The pacing is spot on and the story is undoubtedly engrossing, it's one that holds plenty of emotion behind it. It does conclude rather abruptly, I in fact overheard someone nearby remark "that ca…

CinemaSerf7/10

A friend of mine used to own a big gay bar in Dublin, and I recall being in it the day that marriage was legalised in Eire. One of the women celebrating was telling us of her childhood at the hands of the nuns in the 1970s. It was a ghastly story of women who hadn't an ounce of compassion between them all, and this film picks up that cudgel and swings it squarely at what it is little better than a…

Brent Marchant6/10

When it comes to minimalism in filmmaking, there’s deftly deliberate understatement, which can be a decidedly valuable asset, and then there’s cryptic obfuscation, which frequently leaves viewers scratching their heads. And, when it comes to this fourth feature outing from director Tim Mielants, the line between the two is undeniably and confusingly razor thin, a tale that’s so exceedingly nuanced…

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