Cosas pequeñas como estas

Película20241sa 40dkstar6.7(578)trending_up4
Drama
Director:Tim Mielants

En 1985, en vísperas de Navidad, en un pequeño pueblo del condado de Wexford, Irlanda, Bill Furlong trabaja como comerciante de carbón para mantenerse a sí mismo, a su mujer y a sus cinco hijas. Una mañana temprano, mientras reparte carbón en el convento local, hace un descubrimiento que le obliga a enfrentarse a su pasado y al silencio cómplice de un pueblo controlado por la Iglesia católica. Basada en la novela homónima de Claire Keegan.

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Detalles

Título originalSmall Things Like These
EstadoReleased
Fecha de estreno1 de noviembre de 2024
Fechas de estreno
Argentina:
Cine - 6 mar 2025 (+13)
Samoa Americana:
Digital - 16 dic 2024
Australia:
Cine - 10 abr 2025 (M)
Bélgica:
Estreno - 9 oct 2024
Cine - 20 nov 2024 (12)
Brasil:
Estreno - 17 oct 2024
Cine - 13 mar 2025 (12)
Digital - 22 may 2025 (12)
Duración1sa 40dk
Presupuesto$3,000,000
Recaudación$12,534,032
Beneficio$9,534,032
País de origenIrlanda
Idioma originalinglés
Idiomas habladosEnglish

Productoras

Artists Equity
Big Things Films
Wilder Content
Fís Éireann/Screen Ireland

Opiniones de usuarios

Ver todo en TMDB
r96sk8/10

<em>'Small Things Like These'</em> is absorbing. I basically got exactly what I expected from this one. It's a slow burn, quiet film featuring a stellar, if somewhat understated, Cillian Murphy performance. The pacing is spot on and the story is undoubtedly engrossing, it's one that holds plenty of emotion behind it. It does conclude rather abruptly, I in fact overheard someone nearby remark…

CinemaSerf7/10

A friend of mine used to own a big gay bar in Dublin, and I recall being in it the day that marriage was legalised in Eire. One of the women celebrating was telling us of her childhood at the hands of the nuns in the 1970s. It was a ghastly story of women who hadn't an ounce of compassion between them all, and this film picks up that cudgel and swings it squarely at what it is little better than a…

Brent Marchant6/10

When it comes to minimalism in filmmaking, there’s deftly deliberate understatement, which can be a decidedly valuable asset, and then there’s cryptic obfuscation, which frequently leaves viewers scratching their heads. And, when it comes to this fourth feature outing from director Tim Mielants, the line between the two is undeniably and confusingly razor thin, a tale that’s so exceedingly nuanced…

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