Rashomon - Das Lustwäldchen

Rashomon beguiles through the torrential downpour of fabrication. “It’s human to lie. Most of the time we can’t even be honest with ourselves”. Honesty. Deceit. Contradiction. A crucial part of human preservation is the requirement to lie. Intentional or accidental, it’s within our ancestral blood. The unprejudiced can succumb to the immoral values of deceit, either through meticulous storytelling…

In what seems like an endless, almost biblical, rainstorm we meet three people sheltering in the ruins of an old gatehouse. Each has their own story to tell of the rape of a woman and of the murder of her husband. It was the woodcutter (Takashi Shimura) who discovered the body and who alerted the authorities. It was those authorities that conducted a trial at which a priest (Minoru Chiaki), the wo…

**A good movie.** Despite acknowledging the quality and attention to detail, I can't really enjoy Japanese cinema. Maybe because it's so different from what we have around here. But even being so different, we have to recognize the talent of those who have it. Akira Kurosawa is a director with a sharp eye and detail, who knows how to direct the people under his command and extract from each one…

I rarely ever give a film a perfect score, but undoubtedly Rashomon deserves it. I first watched this film at the tender age of 8, so 6 years ago now, and it has lodged deep in my head ever since. The film is beautiful in a way no other film is, and the sculpting of each character is simply perfect. It's an idea which I refuse to call a murder mystery, since it's not asking to be solved. F…